Now, there's only one round of voting. People submit their ballots, I add up the points, and that's that. So there are aren't actually any "nominees" in a traditional sense. Nonetheless, I always first reveal the top five in each category, in alphabetical order, just to give the project that Oscar-type feel. The reverse countdown, kicking off with all the #20s, will begin tomorrow.
BEST PICTURE
BEST DIRECTOR
This is the second "nomination" (all further scare quotes omitted) for Malick, who placed 4th for The Thin Red Line in 1998, and the third for Wong, who placed 4th in 1996 for Chung King Express and won outright in 2001 for In the Mood for Love. Has he done it again? Stay tuned, etc.
BEST ACTRESS
First nomination for all.
BEST ACTOR
First nomination for all.
BEST SUPPORTING ACTOR
Bale and Giamatti have each been nominated once before, both in the lead category: Bale placed 3rd in 2000 for American Psycho; Giamatti won last year for Sideways.
SUPPORTING ACTRESS
Only Linney, who won in 2000 for You Can Count on Me (lead category), has previously been nominated. (Zhang placed 6th for Crouching Tiger, Hidden Dragon, mostly because she wound up landing in Actress rather than Supporting Actress; I believe she had enough points to win the latter, or pretty close.)
SCREENPLAY
First nomination for all.
[YEAH, YEAH, I KNOW: It looks fishy. But while there's no doubt that the voting body's personal knowledge of Mr. Halim -- he's part of same -- resulted in Pretty Persuasion being much more widely seen that it would otherwise have been, I believe that all votes for his screenplay were sincere. (For the record, I didn't give Skander any points, and I consider him a good friend.) I could of course have declared the film ineligible, but in the end I chose to trust the integrity of the voters rather than remove a fairly major picture from all consideration. And it's certainly significant that another film written (and directed) by a Skandie voter was eligible last year, and was widely seen, and got basically no votes.]
SCENE
UNDISTRIBUTED FILM, 2003
(There's a two-year window of eligibility for the main part of the survey -- I prefer that all the movies be at least roughly contemporaneous -- so a few years ago I started doing a separate poll for unreleased [in NYC] films, staggered two years behind the main poll. A smaller group of voters, composed primarily of those who regularly attend one or more major film festivals, votes for this category.)
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